https://brunoparente.com Bruno Parente Wed, 04 Dec 2024 17:40:10 +0000 https://brunoparente.com en https://brunoparente.com/Index Thu, 03 Mar 2022 14:13:10 +0000 Bruno Parente https://brunoparente.com/Index <img width="1181" height="788" width_o="1181" height_o="788" data-src="https://freight.cargo.site/t/original/i/adac5c703ae6616489db61379cee2a48ed4c641d8e71b2755f50b8082f363e1f/There_is_a_light_p.jpg" data-mid="136274247" border="0" src="https://freight.cargo.site/w/1000/i/adac5c703ae6616489db61379cee2a48ed4c641d8e71b2755f50b8082f363e1f/There_is_a_light_p.jpg" /> <img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/42d4e0d436d757670ecd7315d71f65165e7d9b1441b153312b12c91ce477ed19/DSC09232finaljpeg.jpg" data-mid="222916092" border="0" src="https://freight.cargo.site/w/1000/i/42d4e0d436d757670ecd7315d71f65165e7d9b1441b153312b12c91ce477ed19/DSC09232finaljpeg.jpg" /> <img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/d2192487cc5a84203d9ca760203e686343454ba298adec5604f5756b17738326/c3f11.jpg" data-mid="222916095" border="0" src="https://freight.cargo.site/w/1000/i/d2192487cc5a84203d9ca760203e686343454ba298adec5604f5756b17738326/c3f11.jpg" /> <img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/a24e29d96b0db0b5b95731a055fdab834a716e60550d014a367ca0c83fe1787f/c6f4.jpg" data-mid="222916097" border="0" src="https://freight.cargo.site/w/1000/i/a24e29d96b0db0b5b95731a055fdab834a716e60550d014a367ca0c83fe1787f/c6f4.jpg" /> <img width="1181" height="788" width_o="1181" height_o="788" data-src="https://freight.cargo.site/t/original/i/a6ca33e81ecfcc71b8199f4df13be11881cd523643264642b89bb35814f45820/capa_3p.jpg" data-mid="164758339" border="0" src="https://freight.cargo.site/w/1000/i/a6ca33e81ecfcc71b8199f4df13be11881cd523643264642b89bb35814f45820/capa_3p.jpg" /> <img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/455ae14477047ed3927b2d22d6adb4cc847bf9df3faf4cf28fc9a52f50f97232/c5f3.jpg" data-mid="222916089" border="0" src="https://freight.cargo.site/w/1000/i/455ae14477047ed3927b2d22d6adb4cc847bf9df3faf4cf28fc9a52f50f97232/c5f3.jpg" /> <img width="1181" height="787" width_o="1181" height_o="787" data-src="https://freight.cargo.site/t/original/i/63652dfefa5fccc72dea225e7838ab60ec7af8d03cb4b1c438e61d451b8301fd/capa_p.jpg" data-mid="136274245" border="0" data-scale="98" src="https://freight.cargo.site/w/1000/i/63652dfefa5fccc72dea225e7838ab60ec7af8d03cb4b1c438e61d451b8301fd/capa_p.jpg" /> https://brunoparente.com/Mobile-header Thu, 03 Mar 2022 14:13:11 +0000 Bruno Parente https://brunoparente.com/Mobile-header Bruno Parente https://brunoparente.com/Etimology-of-Particles Tue, 03 Dec 2024 12:18:54 +0000 Bruno Parente https://brunoparente.com/Etimology-of-Particles Observation Notebooks 2023-2024 Notebook #1 Etimology of Particles<img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/eae18c8eb7081242b91ca08ca7b7c746fefb09bd39b4f9939258e9a629365823/DSC09066final_jpeg.jpg" data-mid="222819354" border="0" src="https://freight.cargo.site/w/1000/i/eae18c8eb7081242b91ca08ca7b7c746fefb09bd39b4f9939258e9a629365823/DSC09066final_jpeg.jpg" /><img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/ae85a88c1e30a0a44b6e4e222862cdf1d35bb5a8dabb7748adc39e98235098dc/DSC09215testejpeg.jpg" data-mid="222819358" border="0" src="https://freight.cargo.site/w/1000/i/ae85a88c1e30a0a44b6e4e222862cdf1d35bb5a8dabb7748adc39e98235098dc/DSC09215testejpeg.jpg" /> <img width="683" height="1024" width_o="683" height_o="1024" data-src="https://freight.cargo.site/t/original/i/e375b045e71fc87e45c5d7916e70ed81353087152929c2d1d1eceebd5a9aef8f/DSC09210testejpeg.jpg" data-mid="222819357" border="0" src="https://freight.cargo.site/w/683/i/e375b045e71fc87e45c5d7916e70ed81353087152929c2d1d1eceebd5a9aef8f/DSC09210testejpeg.jpg" /> <img width="683" height="1024" width_o="683" height_o="1024" data-src="https://freight.cargo.site/t/original/i/c49bf1fa5a2dfa0d7fbba55db32c0bd49fc65dbeee886a8ccdd89eabc5212f64/DSC09221finaljpeg.jpg" data-mid="222819359" border="0" src="https://freight.cargo.site/w/683/i/c49bf1fa5a2dfa0d7fbba55db32c0bd49fc65dbeee886a8ccdd89eabc5212f64/DSC09221finaljpeg.jpg" /> <img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/a80e84cda1916c2b362736fc6e7bbc2e6b5e858b32211a59bd01c03cd3884359/DSC09232finaljpeg.jpg" data-mid="222819360" border="0" src="https://freight.cargo.site/w/1000/i/a80e84cda1916c2b362736fc6e7bbc2e6b5e858b32211a59bd01c03cd3884359/DSC09232finaljpeg.jpg" /> <img width="683" height="1024" width_o="683" height_o="1024" data-src="https://freight.cargo.site/t/original/i/9a44387ed2eb43b477c48eaa650f419c603ef0b50d02069777a9336863b5379c/DSC09116finaljpeg.jpg" data-mid="222819355" border="0" src="https://freight.cargo.site/w/683/i/9a44387ed2eb43b477c48eaa650f419c603ef0b50d02069777a9336863b5379c/DSC09116finaljpeg.jpg" /> <img width="683" height="1024" width_o="683" height_o="1024" data-src="https://freight.cargo.site/t/original/i/fd3644c3bed7dbbbd72794462f92ea4f56f1fee65c8dabdfacc56e0f8fa98104/DSC09146testejpeg.jpg" data-mid="222819356" border="0" src="https://freight.cargo.site/w/683/i/fd3644c3bed7dbbbd72794462f92ea4f56f1fee65c8dabdfacc56e0f8fa98104/DSC09146testejpeg.jpg" /> Inkjet print on Fine Art paper, different dimensions.&nbsp; Edition: 3+1AP |&nbsp; &nbsp;#1-7 What are the limits of perception of images? Long before artificial intelligence algorithms, the plausibility of images always conquered and seduced us. Even when we tacitly accept, in this game of seduction, that photography is also a vehicle that legitimizes deceit, manipulation, misunderstanding and illusion. The images in the “Observation Notebooks” series are close to a representation that we recognize from the canons and scientific rigor but that we suspect do not belong to them. Ambivalent places, both subjective and objective, without scale, that we know to be unknown but are familiar to us and that we tend to imagine infinitely distant or microscopically close. Between the hand and the technique, between the drift of the drawing and the rigor of the lens, the place of these images is especially the place of doubt and ambiguity. They do not intend to replace the concrete plane of things. They are an assumption, a simulacrum and, in that intermediate place, they reinforce one of the paradoxes that we have recognized in photography for a long time: the tool that faithfully documents and reproduces the reality is also the instrument that opens up the door to the possibility of mistrusting images. https://brunoparente.com/Each-place-has-a-map-of-moons Wed, 04 Dec 2024 14:03:51 +0000 Bruno Parente https://brunoparente.com/Each-place-has-a-map-of-moons Observation Notebooks 2023-2024 Notebook #2 Each Place has a Map of Moons<img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/abff2db4d217e8d86142c1b974753ceeb519b8585528516ccb75223731435d0e/c2f1.jpg" data-mid="222868431" border="0" src="https://freight.cargo.site/w/1000/i/abff2db4d217e8d86142c1b974753ceeb519b8585528516ccb75223731435d0e/c2f1.jpg" /><img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/36f7f55ec136d9cebd6589c44b56bcdedf3c2237dd715600b34b7394cb18de1a/c2f2.jpg" data-mid="222868432" border="0" src="https://freight.cargo.site/w/1000/i/36f7f55ec136d9cebd6589c44b56bcdedf3c2237dd715600b34b7394cb18de1a/c2f2.jpg" /> <img width="682" height="1024" width_o="682" height_o="1024" data-src="https://freight.cargo.site/t/original/i/b90130175c0d109458fccce5138fb83d84c593570d682d7aa6891075bea0ecb5/c2f11.jpg" data-mid="222868441" border="0" src="https://freight.cargo.site/w/682/i/b90130175c0d109458fccce5138fb83d84c593570d682d7aa6891075bea0ecb5/c2f11.jpg" /> <img width="682" height="1024" width_o="682" height_o="1024" data-src="https://freight.cargo.site/t/original/i/abce14d6f966117a7c67efe9d84685edb9efb31c76de66f3be79207bb97552a2/c2f9.jpg" data-mid="222868439" border="0" src="https://freight.cargo.site/w/682/i/abce14d6f966117a7c67efe9d84685edb9efb31c76de66f3be79207bb97552a2/c2f9.jpg" /> <img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/62483f2b3edfda3bf40732bfab355f29ed2f4eeb98c1fc380c0d33bd383e9fcd/c2f4.jpg" data-mid="222868434" border="0" src="https://freight.cargo.site/w/1000/i/62483f2b3edfda3bf40732bfab355f29ed2f4eeb98c1fc380c0d33bd383e9fcd/c2f4.jpg" /><img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/4558ac1af6c4154d08eaec42da03de5e1c4f8483fdb1d78b40395f0292058048/c2f5.jpg" data-mid="222868435" border="0" src="https://freight.cargo.site/w/768/i/4558ac1af6c4154d08eaec42da03de5e1c4f8483fdb1d78b40395f0292058048/c2f5.jpg" /><img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/76f0a49de7af3c391fb1a9dce0e84cdc8efa5dc9e31385bab2dc2b2a0afb63c9/c2f6.jpg" data-mid="222868436" border="0" src="https://freight.cargo.site/w/1000/i/76f0a49de7af3c391fb1a9dce0e84cdc8efa5dc9e31385bab2dc2b2a0afb63c9/c2f6.jpg" /><img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/a332dd0aad69e9f458522dcb18fa1b632a435fd690ab35fdf5fed1f79fbf6f81/c2f7.jpg" data-mid="222868437" border="0" src="https://freight.cargo.site/w/1000/i/a332dd0aad69e9f458522dcb18fa1b632a435fd690ab35fdf5fed1f79fbf6f81/c2f7.jpg" /> Inkjet print on Fine Art paper, different dimensions.&nbsp; Edition: 3+1AP |&nbsp; &nbsp;#1-8 What are the limits of perception of images? Long before artificial intelligence algorithms, the plausibility of images always conquered and seduced us. Even when we tacitly accept, in this game of seduction, that photography is also a vehicle that legitimizes deceit, manipulation, misunderstanding and illusion. The images in the “Observation Notebooks” series are close to a representation that we recognize from the canons and scientific rigor but that we suspect do not belong to them. Ambivalent places, both subjective and objective, without scale, that we know to be unknown but are familiar to us and that we tend to imagine infinitely distant or microscopically close. Between the hand and the technique, between the drift of the drawing and the rigor of the lens, the place of these images is especially the place of doubt and ambiguity. They do not intend to replace the concrete plane of things. They are an assumption, a simulacrum and, in that intermediate place, they reinforce one of the paradoxes that we have recognized in photography for a long time: the tool that faithfully documents and reproduces the reality is also the instrument that opens up the door to the possibility of mistrusting images. https://brunoparente.com/Labyrinth-Cartograms Wed, 04 Dec 2024 15:14:30 +0000 Bruno Parente https://brunoparente.com/Labyrinth-Cartograms Observation Notebooks 2023-2024 Notebook #3 Labyrinth Cartograms<img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/5ee9bbafe5a7c4c970ce987a8c03a7d5ff636d6d1676b8ffac40fcd95dc959e0/c3f1.jpg" data-mid="222873189" border="0" src="https://freight.cargo.site/w/1000/i/5ee9bbafe5a7c4c970ce987a8c03a7d5ff636d6d1676b8ffac40fcd95dc959e0/c3f1.jpg" /><img width="841" height="1024" width_o="841" height_o="1024" data-src="https://freight.cargo.site/t/original/i/2544830da7eddd87e300d744d4c39eea3312124b02f3d003198bac42cf9dccfa/c3f2.jpg" data-mid="222873191" border="0" src="https://freight.cargo.site/w/841/i/2544830da7eddd87e300d744d4c39eea3312124b02f3d003198bac42cf9dccfa/c3f2.jpg" /><img width="752" height="1024" width_o="752" height_o="1024" data-src="https://freight.cargo.site/t/original/i/9285b9ac37a171bfdebf888346fa101f5c80c68f70f34ec5b03904a07ddeecca/c3f3.jpg" data-mid="222873192" border="0" src="https://freight.cargo.site/w/752/i/9285b9ac37a171bfdebf888346fa101f5c80c68f70f34ec5b03904a07ddeecca/c3f3.jpg" /><img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/184c45ad35611ddab9398bfd0a3fc744a7568728024b561e88e517cbc77fe8fa/c3f4.jpg" data-mid="222873194" border="0" src="https://freight.cargo.site/w/1000/i/184c45ad35611ddab9398bfd0a3fc744a7568728024b561e88e517cbc77fe8fa/c3f4.jpg" /><img width="1280" height="689" width_o="1280" height_o="689" data-src="https://freight.cargo.site/t/original/i/cde6870ffd066f439d0be8ff29cf49e2a382c2e3d6758cbfbbf98b89508f50a7/c3f5.jpg" data-mid="222873195" border="0" src="https://freight.cargo.site/w/1000/i/cde6870ffd066f439d0be8ff29cf49e2a382c2e3d6758cbfbbf98b89508f50a7/c3f5.jpg" /><img width="727" height="1024" width_o="727" height_o="1024" data-src="https://freight.cargo.site/t/original/i/18269e412d034deefc3ad47189b57e37c539b994f9ffc9567322e6f93314f561/c3f6a.jpg" data-mid="222873196" border="0" src="https://freight.cargo.site/w/727/i/18269e412d034deefc3ad47189b57e37c539b994f9ffc9567322e6f93314f561/c3f6a.jpg" /><img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/eed99a9e5ccd6ae3eebd6896c3abde350869064396c29e8fef27d359a74d1721/c3f7.jpg" data-mid="222873198" border="0" src="https://freight.cargo.site/w/1000/i/eed99a9e5ccd6ae3eebd6896c3abde350869064396c29e8fef27d359a74d1721/c3f7.jpg" /><img width="779" height="1024" width_o="779" height_o="1024" data-src="https://freight.cargo.site/t/original/i/9b43767341b8574ef2c21ff4cd8c378a3eb534a6cb54fc6883b3b8f25fc77a82/c3f9.jpg" data-mid="222873201" border="0" src="https://freight.cargo.site/w/779/i/9b43767341b8574ef2c21ff4cd8c378a3eb534a6cb54fc6883b3b8f25fc77a82/c3f9.jpg" /><img width="710" height="1024" width_o="710" height_o="1024" data-src="https://freight.cargo.site/t/original/i/c987e89ff37678128d20228a499683bab96daedc9af57b0ebcd399fc84f958fd/c3f10.jpg" data-mid="222873202" border="0" src="https://freight.cargo.site/w/710/i/c987e89ff37678128d20228a499683bab96daedc9af57b0ebcd399fc84f958fd/c3f10.jpg" /><img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/a8b895024e646cc96d22e5014aa5dd11e365dba04621e5f776307aac9e4000dc/c3f11.jpg" data-mid="222873203" border="0" src="https://freight.cargo.site/w/1000/i/a8b895024e646cc96d22e5014aa5dd11e365dba04621e5f776307aac9e4000dc/c3f11.jpg" /><img width="1280" height="922" width_o="1280" height_o="922" data-src="https://freight.cargo.site/t/original/i/6077d8a61b95ef46ca95186f17ebb22bbc115760018c41c7212302db1e073279/c3f12.jpg" data-mid="222873204" border="0" src="https://freight.cargo.site/w/1000/i/6077d8a61b95ef46ca95186f17ebb22bbc115760018c41c7212302db1e073279/c3f12.jpg" /><img width="683" height="1024" width_o="683" height_o="1024" data-src="https://freight.cargo.site/t/original/i/56e407c7c7e6b53a6248e62586f38f307f692e5ab99d7f09ebfcdff2273aae60/c3f13.jpg" data-mid="222873205" border="0" src="https://freight.cargo.site/w/683/i/56e407c7c7e6b53a6248e62586f38f307f692e5ab99d7f09ebfcdff2273aae60/c3f13.jpg" />Inkjet print on Fine Art paper, different dimensions.&nbsp; Edition: 3+1AP |&nbsp; &nbsp;#1-12 What are the limits of perception of images? Long before artificial intelligence algorithms, the plausibility of images always conquered and seduced us. Even when we tacitly accept, in this game of seduction, that photography is also a vehicle that legitimizes deceit, manipulation, misunderstanding and illusion. The images in the “Observation Notebooks” series are close to a representation that we recognize from the canons and scientific rigor but that we suspect do not belong to them. Ambivalent places, both subjective and objective, without scale, that we know to be unknown but are familiar to us and that we tend to imagine infinitely distant or microscopically close. Between the hand and the technique, between the drift of the drawing and the rigor of the lens, the place of these images is especially the place of doubt and ambiguity. They do not intend to replace the concrete plane of things. They are an assumption, a simulacrum and, in that intermediate place, they reinforce one of the paradoxes that we have recognized in photography for a long time: the tool that faithfully documents and reproduces the reality is also the instrument that opens up the door to the possibility of mistrusting images. https://brunoparente.com/Collision-Theorem Wed, 04 Dec 2024 16:24:30 +0000 Bruno Parente https://brunoparente.com/Collision-Theorem Observation Notebooks 2023-2024 Notebook #4 Collision Theorem <img width="683" height="1024" width_o="683" height_o="1024" data-src="https://freight.cargo.site/t/original/i/7b5f11a6280262b4f9b4337ffb9893e291cae454d09ee8b5d72493778b907839/c4f2.jpg" data-mid="222879118" border="0" src="https://freight.cargo.site/w/683/i/7b5f11a6280262b4f9b4337ffb9893e291cae454d09ee8b5d72493778b907839/c4f2.jpg" /><img width="1280" height="846" width_o="1280" height_o="846" data-src="https://freight.cargo.site/t/original/i/566d7b9de3d9532ac0bf327b33d9d6de18c454181d4ca91c021380bbbb34c8f1/c4f3.jpg" data-mid="222879119" border="0" src="https://freight.cargo.site/w/1000/i/566d7b9de3d9532ac0bf327b33d9d6de18c454181d4ca91c021380bbbb34c8f1/c4f3.jpg" /><img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/e00e6ef3fc85854e8a93df6d3d57a6d22a0ad677cb1cb0b511e105b18674be94/c4f4.jpg" data-mid="222879120" border="0" src="https://freight.cargo.site/w/1000/i/e00e6ef3fc85854e8a93df6d3d57a6d22a0ad677cb1cb0b511e105b18674be94/c4f4.jpg" /><img width="754" height="1024" width_o="754" height_o="1024" data-src="https://freight.cargo.site/t/original/i/e5751db577f16317ec2686eb652a3090a4bd56a68aa06244cb388a4783427f25/c4f5.jpg" data-mid="222879122" border="0" src="https://freight.cargo.site/w/754/i/e5751db577f16317ec2686eb652a3090a4bd56a68aa06244cb388a4783427f25/c4f5.jpg" /><img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/80a68463803a2f9587f6352444af12678879cf35ecb0f2abdea1dcf2b61d3f7c/c4f6.jpg" data-mid="222879124" border="0" src="https://freight.cargo.site/w/1000/i/80a68463803a2f9587f6352444af12678879cf35ecb0f2abdea1dcf2b61d3f7c/c4f6.jpg" /><img width="1003" height="1024" width_o="1003" height_o="1024" data-src="https://freight.cargo.site/t/original/i/d2eef40ddb3196479dcc8f539ae35175c68e69502e58242c38bbf5271ffcbf30/c4f7.jpg" data-mid="222879125" border="0" src="https://freight.cargo.site/w/1000/i/d2eef40ddb3196479dcc8f539ae35175c68e69502e58242c38bbf5271ffcbf30/c4f7.jpg" /><img width="1000" height="1024" width_o="1000" height_o="1024" data-src="https://freight.cargo.site/t/original/i/5911660ffab948584afb4ac4f5ca60ce942fb06ebeebed48472bd71a1577c740/c4f8.jpg" data-mid="222879126" border="0" src="https://freight.cargo.site/w/1000/i/5911660ffab948584afb4ac4f5ca60ce942fb06ebeebed48472bd71a1577c740/c4f8.jpg" /><img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/b511a351ef843d1e629a554ef2472aa4b8c891f10ea4829e0a3c65f7f454ad98/c4f9.jpg" data-mid="222879127" border="0" src="https://freight.cargo.site/w/1000/i/b511a351ef843d1e629a554ef2472aa4b8c891f10ea4829e0a3c65f7f454ad98/c4f9.jpg" /><img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/b857e71f8a14721e9ca498b010fc34a3554f0975383fe8b1e37157fea778929c/c4f10.jpg" data-mid="222879128" border="0" src="https://freight.cargo.site/w/1000/i/b857e71f8a14721e9ca498b010fc34a3554f0975383fe8b1e37157fea778929c/c4f10.jpg" />Inkjet print on Fine Art paper, different dimensions.&nbsp; Edition: 3+1AP |&nbsp; &nbsp;#1-12 What are the limits of perception of images? Long before artificial intelligence algorithms, the plausibility of images always conquered and seduced us. Even when we tacitly accept, in this game of seduction, that photography is also a vehicle that legitimizes deceit, manipulation, misunderstanding and illusion. The images in the “Observation Notebooks” series are close to a representation that we recognize from the canons and scientific rigor but that we suspect do not belong to them. Ambivalent places, both subjective and objective, without scale, that we know to be unknown but are familiar to us and that we tend to imagine infinitely distant or microscopically close. Between the hand and the technique, between the drift of the drawing and the rigor of the lens, the place of these images is especially the place of doubt and ambiguity. They do not intend to replace the concrete plane of things. They are an assumption, a simulacrum and, in that intermediate place, they reinforce one of the paradoxes that we have recognized in photography for a long time: the tool that faithfully documents and reproduces the reality is also the instrument that opens up the door to the possibility of mistrusting images. https://brunoparente.com/The-Uncertain-Latitude-of-Light Wed, 04 Dec 2024 16:36:23 +0000 Bruno Parente https://brunoparente.com/The-Uncertain-Latitude-of-Light Observation Notebooks 2023-2024 Notebook #5&nbsp; The Uncertain Latitude of Light <img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/3fd7ad08e4164af6382c79cb1b97152284a2186c890a7b162708f8947bc88827/c5f3.jpg" data-mid="222879671" border="0" src="https://freight.cargo.site/w/1000/i/3fd7ad08e4164af6382c79cb1b97152284a2186c890a7b162708f8947bc88827/c5f3.jpg" /> <img width="682" height="1024" width_o="682" height_o="1024" data-src="https://freight.cargo.site/t/original/i/60880a2d3917aef12a33494038ea973a06747d40c626529e84c5211ef660bf2b/c5f5.jpg" data-mid="222879673" border="0" data-scale="100" src="https://freight.cargo.site/w/682/i/60880a2d3917aef12a33494038ea973a06747d40c626529e84c5211ef660bf2b/c5f5.jpg" /> <img width="682" height="1024" width_o="682" height_o="1024" data-src="https://freight.cargo.site/t/original/i/fa49df0953c6243fdf5f4b8faace43325eed64493dc49b076bce3d41184f237f/c5f7.jpg" data-mid="222879675" border="0" src="https://freight.cargo.site/w/682/i/fa49df0953c6243fdf5f4b8faace43325eed64493dc49b076bce3d41184f237f/c5f7.jpg" /> &nbsp; <img width="987" height="1024" width_o="987" height_o="1024" data-src="https://freight.cargo.site/t/original/i/07c9213aa02f04d37ef63a5a44ba0fd617615da39e6d2b9f50cc57da28f7d311/c5f2.jpg" data-mid="222879669" border="0" src="https://freight.cargo.site/w/987/i/07c9213aa02f04d37ef63a5a44ba0fd617615da39e6d2b9f50cc57da28f7d311/c5f2.jpg" /><img width="1181" height="1024" width_o="1181" height_o="1024" data-src="https://freight.cargo.site/t/original/i/abc574eb2592304c03a8adf54c1da35ab7bf5d2e40fd57c16975c19c51ca9266/c5f4.jpg" data-mid="222879672" border="0" src="https://freight.cargo.site/w/1000/i/abc574eb2592304c03a8adf54c1da35ab7bf5d2e40fd57c16975c19c51ca9266/c5f4.jpg" /><img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/b5861b4ee5e6714426ab8795fbe318abab2b7130a7f9c99c0b8df9b0c52fe1fe/c5f6.jpg" data-mid="222879674" border="0" src="https://freight.cargo.site/w/1000/i/b5861b4ee5e6714426ab8795fbe318abab2b7130a7f9c99c0b8df9b0c52fe1fe/c5f6.jpg" /><img width="889" height="1024" width_o="889" height_o="1024" data-src="https://freight.cargo.site/t/original/i/cf42d2d4f29c11e42a9bfc62d559f247d9324f1ed9c0ba8de057fefaf59ecec9/c5f8.jpg" data-mid="222879676" border="0" src="https://freight.cargo.site/w/889/i/cf42d2d4f29c11e42a9bfc62d559f247d9324f1ed9c0ba8de057fefaf59ecec9/c5f8.jpg" /><img width="1280" height="781" width_o="1280" height_o="781" data-src="https://freight.cargo.site/t/original/i/de3b0311864fc6438cb2718d97f4665be9d87f6a79ccac5f726a4201e496062a/c5f9.jpg" data-mid="222879677" border="0" src="https://freight.cargo.site/w/1000/i/de3b0311864fc6438cb2718d97f4665be9d87f6a79ccac5f726a4201e496062a/c5f9.jpg" />Inkjet print on Fine Art paper, different dimensions.&nbsp; Edition: 3+1AP |&nbsp; &nbsp;#1-8 What are the limits of perception of images? Long before artificial intelligence algorithms, the plausibility of images always conquered and seduced us. Even when we tacitly accept, in this game of seduction, that photography is also a vehicle that legitimizes deceit, manipulation, misunderstanding and illusion. The images in the “Observation Notebooks” series are close to a representation that we recognize from the canons and scientific rigor but that we suspect do not belong to them. Ambivalent places, both subjective and objective, without scale, that we know to be unknown but are familiar to us and that we tend to imagine infinitely distant or microscopically close. Between the hand and the technique, between the drift of the drawing and the rigor of the lens, the place of these images is especially the place of doubt and ambiguity. They do not intend to replace the concrete plane of things. They are an assumption, a simulacrum and, in that intermediate place, they reinforce one of the paradoxes that we have recognized in photography for a long time: the tool that faithfully documents and reproduces the reality is also the instrument that opens up the door to the possibility of mistrusting images. https://brunoparente.com/The-Micro-Phisiognomy-of-Elements Wed, 04 Dec 2024 17:40:10 +0000 Bruno Parente https://brunoparente.com/The-Micro-Phisiognomy-of-Elements Observation Notebooks 2023-2024 Notebook #6&nbsp; &nbsp; The Micro Phisiognomy of Elements <img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/1019693ff00a3bf08511ee967dce8b25e24635bd5b68feb3be451a261786dc26/c6f1.jpg" data-mid="222882762" border="0" src="https://freight.cargo.site/w/1000/i/1019693ff00a3bf08511ee967dce8b25e24635bd5b68feb3be451a261786dc26/c6f1.jpg" /><img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/d6462c78ad7ebee9a311a7b700a8b36a68ce5f9c223a0f00718050d694bf7b47/c6f2.jpg" data-mid="222882763" border="0" src="https://freight.cargo.site/w/1000/i/d6462c78ad7ebee9a311a7b700a8b36a68ce5f9c223a0f00718050d694bf7b47/c6f2.jpg" /><img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/ecaadb198e0c3966bc261e28894f942cba0ba0e1a578c67610f72ea0810c4e1b/c6f3.jpg" data-mid="222882766" border="0" src="https://freight.cargo.site/w/1000/i/ecaadb198e0c3966bc261e28894f942cba0ba0e1a578c67610f72ea0810c4e1b/c6f3.jpg" /><img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/c954f7481679c1053e58704da234a5248f2e332b59fe01d6e5a79884e13fb1cd/c6f4.jpg" data-mid="222882768" border="0" src="https://freight.cargo.site/w/1000/i/c954f7481679c1053e58704da234a5248f2e332b59fe01d6e5a79884e13fb1cd/c6f4.jpg" /><img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/4f073b0e5f4e5804252a452eeeadff8861207105a1b3ac3e4c0145c0b0c184b9/c6f5.jpg" data-mid="222882770" border="0" src="https://freight.cargo.site/w/1000/i/4f073b0e5f4e5804252a452eeeadff8861207105a1b3ac3e4c0145c0b0c184b9/c6f5.jpg" /><img width="683" height="1024" width_o="683" height_o="1024" data-src="https://freight.cargo.site/t/original/i/96aec3cc4d405f6a3a87726d0fd9b96f17f215bf7bef020b062f4f955e0dcdb0/c6f6.jpg" data-mid="222882775" border="0" src="https://freight.cargo.site/w/683/i/96aec3cc4d405f6a3a87726d0fd9b96f17f215bf7bef020b062f4f955e0dcdb0/c6f6.jpg" /><img width="1280" height="853" width_o="1280" height_o="853" data-src="https://freight.cargo.site/t/original/i/bc7a85de845e6e78d9820762ac53bf9c4c2d0b35cbb92a002e2fd35142fb4ebf/c6f7.jpg" data-mid="222882777" border="0" src="https://freight.cargo.site/w/1000/i/bc7a85de845e6e78d9820762ac53bf9c4c2d0b35cbb92a002e2fd35142fb4ebf/c6f7.jpg" /> Inkjet print on Fine Art paper, different dimensions.&nbsp; Edition: 3+1AP |&nbsp; &nbsp;#1-7 What are the limits of perception of images? Long before artificial intelligence algorithms, the plausibility of images always conquered and seduced us. Even when we tacitly accept, in this game of seduction, that photography is also a vehicle that legitimizes deceit, manipulation, misunderstanding and illusion. The images in the “Observation Notebooks” series are close to a representation that we recognize from the canons and scientific rigor but that we suspect do not belong to them. Ambivalent places, both subjective and objective, without scale, that we know to be unknown but are familiar to us and that we tend to imagine infinitely distant or microscopically close. Between the hand and the technique, between the drift of the drawing and the rigor of the lens, the place of these images is especially the place of doubt and ambiguity. They do not intend to replace the concrete plane of things. They are an assumption, a simulacrum and, in that intermediate place, they reinforce one of the paradoxes that we have recognized in photography for a long time: the tool that faithfully documents and reproduces the reality is also the instrument that opens up the door to the possibility of mistrusting images. https://brunoparente.com/Variations-of-an-Incident-Light Tue, 01 Mar 2022 11:24:10 +0000 Bruno Parente https://brunoparente.com/Variations-of-an-Incident-Light Variations of an Incident Light 2021-2022 <img width="1800" height="1200" width_o="1800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/da952e0d2c94b0ba05c470f9c9eabbcff5318f5588791b4a0e0ee327b71767b6/01.jpg" data-mid="135071966" border="0" src="https://freight.cargo.site/w/1000/i/da952e0d2c94b0ba05c470f9c9eabbcff5318f5588791b4a0e0ee327b71767b6/01.jpg" /> <img width="3543" height="5315" width_o="3543" height_o="5315" data-src="https://freight.cargo.site/t/original/i/6a91478919915eb3b22e4aa143374700543cd0b2b9a0d1fbc60a085e215f93b7/03.jpg" data-mid="135072780" border="0" src="https://freight.cargo.site/w/1000/i/6a91478919915eb3b22e4aa143374700543cd0b2b9a0d1fbc60a085e215f93b7/03.jpg" /><img width="1181" height="1772" width_o="1181" height_o="1772" data-src="https://freight.cargo.site/t/original/i/40d85253c71affa5f439c614843ab3bb2d7e7c8a659afdc85f702bc3a66be06d/08.jpg" data-mid="135205432" border="0" src="https://freight.cargo.site/w/1000/i/40d85253c71affa5f439c614843ab3bb2d7e7c8a659afdc85f702bc3a66be06d/08.jpg" /> <img width="1181" height="1772" width_o="1181" height_o="1772" data-src="https://freight.cargo.site/t/original/i/82f242de2d7d5565c6643b6125a13427945fb3179f2ec110d7b8ccad6cc73e04/05.jpg" data-mid="135073077" border="0" src="https://freight.cargo.site/w/1000/i/82f242de2d7d5565c6643b6125a13427945fb3179f2ec110d7b8ccad6cc73e04/05.jpg" /><img width="1181" height="1772" width_o="1181" height_o="1772" data-src="https://freight.cargo.site/t/original/i/92645c6b5cdbd096ba2c2d4535589c0b5b3502b4d4068a1c99ba183a595db62d/09.jpg" data-mid="135205434" border="0" src="https://freight.cargo.site/w/1000/i/92645c6b5cdbd096ba2c2d4535589c0b5b3502b4d4068a1c99ba183a595db62d/09.jpg" /> <img width="1772" height="1181" width_o="1772" height_o="1181" data-src="https://freight.cargo.site/t/original/i/91b2d428ee389259ea49c3a0f967dc6bfe36ea43a453e9dc0d27a07c25bae3d2/06.jpg" data-mid="135205593" border="0" src="https://freight.cargo.site/w/1000/i/91b2d428ee389259ea49c3a0f967dc6bfe36ea43a453e9dc0d27a07c25bae3d2/06.jpg" /><img width="1772" height="1182" width_o="1772" height_o="1182" data-src="https://freight.cargo.site/t/original/i/7044181a77ecce389d23be24fbaa954e11a2a79070d8adbbea720a8c15864c68/There_is_a_light-1_rgb.jpg" data-mid="136275331" border="0" src="https://freight.cargo.site/w/1000/i/7044181a77ecce389d23be24fbaa954e11a2a79070d8adbbea720a8c15864c68/There_is_a_light-1_rgb.jpg" /><img width="7952" height="5304" width_o="7952" height_o="5304" data-src="https://freight.cargo.site/t/original/i/e2a6f92755c8139f350243940fa3400f430f9086799ac434ac5e427962417532/11.jpg" data-mid="164758812" border="0" src="https://freight.cargo.site/w/1000/i/e2a6f92755c8139f350243940fa3400f430f9086799ac434ac5e427962417532/11.jpg" /> <img width="1772" height="1182" width_o="1772" height_o="1182" data-src="https://freight.cargo.site/t/original/i/17f0856867ac7fa9c2703a963d4aa86c26f8b880ed9c402feea7b8afbaf58784/04.jpg" data-mid="135074174" border="0" src="https://freight.cargo.site/w/1000/i/17f0856867ac7fa9c2703a963d4aa86c26f8b880ed9c402feea7b8afbaf58784/04.jpg" /><img width="1772" height="1181" width_o="1772" height_o="1181" data-src="https://freight.cargo.site/t/original/i/05cc18482a842ebc79cecfbf0ad32f0b163c3e73dea71dfa78dc99ac13e756fd/There_is_a_light2.jpg" data-mid="136410328" border="0" src="https://freight.cargo.site/w/1000/i/05cc18482a842ebc79cecfbf0ad32f0b163c3e73dea71dfa78dc99ac13e756fd/There_is_a_light2.jpg" /> <img width="1772" height="1181" width_o="1772" height_o="1181" data-src="https://freight.cargo.site/t/original/i/e420cf9bc30a4b443dac5513662705279b818e195a4f38e853fc0919d91d51b0/07.jpg" data-mid="135205365" border="0" src="https://freight.cargo.site/w/1000/i/e420cf9bc30a4b443dac5513662705279b818e195a4f38e853fc0919d91d51b0/07.jpg" /> Inkjet print on Fine Art paper, different dimensions.&nbsp; Edition: 3+1AP |&nbsp; &nbsp;#1-11 A beam of light strikes in an object and its refraction is formally reconfigured in a geometry unstable and ephemeral. From the continuous repetition of this gesture, different hypotheses of representation are explored for the dispersions that reconstitute in a drawing that is an inventory of possibilities for the exercise of the fleeting optical manipulation of light. https://brunoparente.com/Absenscapes Tue, 08 Mar 2022 14:31:07 +0000 Bruno Parente https://brunoparente.com/Absenscapes Absenscapes 2019-2021 <img width="1772" height="1181" width_o="1772" height_o="1181" data-src="https://freight.cargo.site/t/original/i/18bd741bed787be60eb5f6199c11a545392f11fca7311d63ba75d4a008ec5779/abs2a.jpg" data-mid="135665291" border="0" src="https://freight.cargo.site/w/1000/i/18bd741bed787be60eb5f6199c11a545392f11fca7311d63ba75d4a008ec5779/abs2a.jpg" /><img width="1476" height="1230" width_o="1476" height_o="1230" data-src="https://freight.cargo.site/t/original/i/faf8e4c5cd042864e2bf3f106cb4c61b4481974b5134efd24c93989dbb9520e6/abs1.jpg" data-mid="135665284" border="0" src="https://freight.cargo.site/w/1000/i/faf8e4c5cd042864e2bf3f106cb4c61b4481974b5134efd24c93989dbb9520e6/abs1.jpg" /><img width="1772" height="1417" width_o="1772" height_o="1417" data-src="https://freight.cargo.site/t/original/i/d31f568d541247d1496164f12fd510473172329200d386621d960bd1b927334d/site03.jpg" data-mid="164987689" border="0" src="https://freight.cargo.site/w/1000/i/d31f568d541247d1496164f12fd510473172329200d386621d960bd1b927334d/site03.jpg" /> <img width="1772" height="1181" width_o="1772" height_o="1181" data-src="https://freight.cargo.site/t/original/i/e75e819fe2c12edcc24f683c15cc861889b8fca46549fcab4bd4d76e70f5ea5d/abs4.jpg" data-mid="135665294" border="0" src="https://freight.cargo.site/w/1000/i/e75e819fe2c12edcc24f683c15cc861889b8fca46549fcab4bd4d76e70f5ea5d/abs4.jpg" /><img width="1772" height="1181" width_o="1772" height_o="1181" data-src="https://freight.cargo.site/t/original/i/5655bf13cb31a7ea25e6864a9dd625ee5333198956da7ccefa9f073a10b8052f/abs5.jpg" data-mid="135665295" border="0" src="https://freight.cargo.site/w/1000/i/5655bf13cb31a7ea25e6864a9dd625ee5333198956da7ccefa9f073a10b8052f/abs5.jpg" /><img width="1772" height="1417" width_o="1772" height_o="1417" data-src="https://freight.cargo.site/t/original/i/b23bf4d11453d555915b952a5911ef4a293f740e660b4b6b1f636bae2e593fe1/site00.jpg" data-mid="164987672" border="0" src="https://freight.cargo.site/w/1000/i/b23bf4d11453d555915b952a5911ef4a293f740e660b4b6b1f636bae2e593fe1/site00.jpg" /><img width="1476" height="1230" width_o="1476" height_o="1230" data-src="https://freight.cargo.site/t/original/i/5cb81de3b87eb0d1c7daae575ed4877f0c4336cfd83fbc6396cae5c38e73837b/abs2_.jpg" data-mid="135912074" border="0" src="https://freight.cargo.site/w/1000/i/5cb81de3b87eb0d1c7daae575ed4877f0c4336cfd83fbc6396cae5c38e73837b/abs2_.jpg" /><img width="1772" height="1293" width_o="1772" height_o="1293" data-src="https://freight.cargo.site/t/original/i/d16c5f417e478c89a0bbf438d47f14023e070c5961f2d9f08faa1e0bbe81cd5f/abs6.jpg" data-mid="135665296" border="0" src="https://freight.cargo.site/w/1000/i/d16c5f417e478c89a0bbf438d47f14023e070c5961f2d9f08faa1e0bbe81cd5f/abs6.jpg" /><img width="1772" height="1417" width_o="1772" height_o="1417" data-src="https://freight.cargo.site/t/original/i/cdf1e54d2f1a7357d63a8c4019423988df3a4cdd76d3fb53f9ffaa5153bd1b30/site02r.jpg" data-mid="164987759" border="0" src="https://freight.cargo.site/w/1000/i/cdf1e54d2f1a7357d63a8c4019423988df3a4cdd76d3fb53f9ffaa5153bd1b30/site02r.jpg" /><img width="1366" height="1772" width_o="1366" height_o="1772" data-src="https://freight.cargo.site/t/original/i/95aa97063b9047122b82a3276c6055bcc316efe0e919d60af4580ec1eecfe59f/abs7.jpg" data-mid="135665297" border="0" src="https://freight.cargo.site/w/1000/i/95aa97063b9047122b82a3276c6055bcc316efe0e919d60af4580ec1eecfe59f/abs7.jpg" /> Unique gelatine silver fiber paper: 18 x 24 - #1, #4, #5, #8 40 x 50 - #2, #6, #7 50 x 60 - #3, #9 24 x 18 - #10 In the images that are part of the “Absenscapes” series, there is a refusal of an idea of spatiality and temporality. In the abstraction of a time and a space, the representation that is fixed on the silver of the photographic paper is a cartography of absent, vague places, strangely close or familiarly far away, places without memory or identity where prevails the uncertainty and the ambiguityof scale , borders and limits. &nbsp;